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Designed in 1957, the Helvetica font is an icon of Swiss graphic design, which was a model of sober, functional communication throughout the world in the 1950s and 60s. The balanced and neutral appearance of Helvetica forgoes a high degree of expressivity – a quality for which it is both criticized and admired. This polarization has helped to gain it unparalleled notoriety. Helvetica is far and away the most widely used of all typefaces; according to a survey by the Berliner Fontshop-Archiv, it tops the list of the hundred best fonts of all time. This publication retraces Helvetica’s fifty-year history, compares it to the well-known sans serif fonts of the twentieth century, and examines the phenomenon of its unparalleled spread. Numerous illustrations show a multitude of ways the font has been used in five decades from a wide variety of fields – from signal design to party flyers. With contributions by Axel Langer and Indra Kupferschmid.
Una excelente monografía de Joseph Müller-Brockmann, cuya importancia como diseñador no debe considerarse en un contexto histórico. Sus posters son famosos en todo el mundo por su gran poder de comunicación y tensión visual conseguidos con limitados recursos. Müller-Brockmann (1914-1996) ...
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Esta obra muestra un conjunto de envases expositores sencillos, frescos y diferentes, que presentan desde un troquel único hasta nueve estructuras diferentes, pero siempre basados en la creatividad. Con el objetivo de facilitar la presentación y la búsqueda de contenidos, ...